![]() |
|||||||
![]() |
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
||||||
![]() |
![]() |
![]() |
![]() |
||||
![]() |
|
||||||
![]() |
|||||||
![]() |
Available texts in which Bag-Turn-Brick is mentioned: | ||||||
![]() |
|||||||
![]() |
![]() |
||||||
![]() |
Ball-Turn-Bag | New positions and options of sculpture | |||||
![]() |
Battle Angel | A discussion between Martin Walde and Peter Weibel | |||||
![]() |
Hallucigenia Products | ||||||
![]() |
|||||||
![]() |
sphere of social action | Roland Nachtigäller | ||||||
![]() |
from: Martin Walde - A Second Home for Schrödinger's Cat | ||||||
![]() |
|||||||
![]() |
|||||||
![]() |
|||||||
![]() |
|||||||
![]() |
|||||||
![]() |
|||||||
![]() |
|||||||
![]() |
|||||||
![]() |
|||||||
![]() |
|||||||
![]() |
|||||||
![]() |
|||||||
![]() |
|||||||
![]() |
|||||||
![]() |
|||||||
![]() |
publications: | ||||||
![]() |
A Second Home for Schrödinger's Cat | ||||||
![]() |
|||||||
![]() |
|||||||
![]() |
authors: | ||||||
![]() |
Martin Walde | ||||||
![]() |
Peter Weibel | ||||||
![]() |
Roland Nachtigäller | ||||||
![]() |
|||||||
![]() |
|||||||
![]() |