![]() |
|||||||
![]() |
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
||||||
![]() |
![]() |
![]() |
![]() |
||||
![]() |
|
||||||
![]() |
|||||||
![]() |
Verfügbare Texte, in denen Green Gel vorkommt: | ||||||
![]() |
|||||||
![]() |
Alien Substance | Monika Wagner | ||||||
![]() |
Taktile Erfahrungen eigenwilliger Materialien | ||||||
![]() |
aus: Martin Walde – A Second Home for Schrödinger's Cat | ||||||
![]() |
|||||||
![]() |
Der Duft der verblühenden Alpenrose und andere | ||||||
![]() |
Essenzen im poetischen Labyrinth | Annelie Pohlen | ||||||
![]() |
aus: Martin Walde – HUMMING | ||||||
![]() |
|||||||
![]() |
Loslassen | Maia Damianovic | ||||||
![]() |
aus: Martin Walde – Villa Arson, Nice & Städtische Galerie Nordhorn | ||||||
![]() |
|||||||
![]() |
Offener Grenzverlauf | Martin Walde und Jens Asthoff | ||||||
![]() |
aus: Martin Walde – Villa Arson, Nice & Städtische Galerie Nordhorn | ||||||
![]() |
|||||||
![]() |
|||||||
![]() |
|||||||
![]() |
|||||||
![]() |
|||||||
![]() |
|||||||
![]() |
|||||||
![]() |
|||||||
![]() |
Publikationen: | ||||||
![]() |
A Second Home for Schrödinger's Cat | ||||||
![]() |
HUMMING | ||||||
![]() |
Martin Walde (Nice | Nordhorn) | ||||||
![]() |
|||||||
![]() |
|||||||
![]() |
AutorInnen: | ||||||
![]() |
Jens Asthoff | ||||||
![]() |
Maia Damianovic | ||||||
![]() |
Annelie Pohlen | ||||||
![]() |
Monika Wagner | ||||||
Martin Walde | |||||||
![]() |
Green Gel, Bloomberg Space, 1982/2002 |